My intellect reaps rewinds on repeat (Mirror)
More introspection refined remind or retreat (Mirror)
Crazy lyrics, every verse every rhyme (Clever)
Classic lines, emotions vanquish English redesigned (Clever)
(MC)

People’s easy answers cause evil (Peace)
Paris’ Eiffel as colossal easel (Peace)
Again nature’s gifts earn respect (Anger)
After neighbors grift, each reflect (Anger)
Under rulers’ buildings and neglect (Urban)
Ulcer repulser bankruptcy and necropsy (Urban)
Love in family’s eyes (Life)
Light inner fire’s energy (Life)
(PAUL)

Born enduring foreign objects’ roaring embers (Before)
Baby enters family of retarded elders (Before)
Adolescents face the early riser (After)
Adults fear teenagers, eagerly retire (After)
Rhymes appear, paint pictures of reality, themselves (Rapport)
Responsive audience pronounces, ‘perfect;’ orders, ‘run tell’ (Rapport)
Manifest a skill til evident revolution (Master)
Miracles are spherical, turn elegant resolution (Master)
Astronomical lyrical wherewithal awakens your senses (Always)
Across length width additional year sentences (Always)
Nature employs violence, eventually relents (Never)
Nurture enjoys vengeance eternally repents (Never)
(BARMAN)

This was the moment that an obscure yet rapidly rising young comedian named Lenny Bruce chose to give one of the greatest performances of his career. The performance contained in this album is that of a child of the jazz age. Lenny worshipped the gods of Spontaneity, Candor and Free Association. He fancied himself an oral jazzman. His ideal was to walk out there like Charlie Parker, take that mike in his hand like a horn and blow, blow, blow everything that came into his head just as it came into his head with nothing censored, nothing translated, nothing mediated, until he was pure mind, pure head sending out brainwaves like radio waves into the heads of every man and woman seated in that vast hall. Sending, sending, sending, he would finally reach a point of clairvoyance where he was no longer a performer but rather a medium transmitting messages that just came to him from out there — from recall, fantasy, prophecy. A point at which, like the practitioners of automatic writing, his tongue would outrun his mind and he would be saying things he didn’t plan to say, things that surprised, delighted him, cracked him up — as if he were a spectator at his own performance!